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Reviews - Sarah Zettel
Feb. 10th, 2010 08:20 pmCamelot's Honour
The first time I read this series, I wasn't all that impressed. There are still things I'm not so keen on -- the love at first sight, for one thing, doesn't ring very true, and also the books could do with better proofreading. There's punctuation missing, and I'm pretty sure "grieves" and "greaves" don't mean the same thing. But, this time, I found myself a lot more interested. I preferred Geraint to Gawain, I think, and I was interested in him and his feelings about his relationship to Morgaine, and his way of dealing with his legacy from his father -- and his love for Elen.
I don't know if the story of Elen and Geraint is based on any legend, Arthurian or otherwise, although I suspect that the story of Gwiffert, at least, has some kind of link to existing mythology. Still, it's nice to see a lot of mythology together and coupled to the Arthurian mythology, to make something new. The ongoing story of Morgaine is interesting, too: I can't actually remember very well how that's resolved, and I forgot that she seemed genuinely in love with Urien.
I originally didn't like Elen much, but there is something compelling about her, too, and her struggle, and Collanau. I wished the book had more about the Lord, the Lady, and Elen's family. As far as I remember, the Lord and the Lady don't come into it again, which is a shame.
Camelot's Sword
I'm liking all of these books in my second reading. It's interesting to see all the different threads of Arthurian myth and Celtic myth brought together in this way -- this book especially weaves so many things together: Tristan and Iseult, Lyonesse (Laurel) and Lynet, Lancelot and Guinevere, Morgaine, the Celtic Otherworld... I think I'm focusing a lot more on that, in this reading, instead of on the romance -- which isn't actually as central as I thought. It could do with more time spent on it, actually, because Gareth's transformation from a womaniser into Lynet's faithful knight is very hasty and not really given the time and space it should be. Perhaps the scene on the moor could've been expanded -- another fifty pages would probably have made the love story much more engaging and satisfying. There were some parts of the relationship with Ryol that were glossed over a bit too much -- that was closer to the centre of the story, I think, and didn't suffer too much, but there were a few places where I wondered why the heck it was happening like that. For example, how did Guinevere figure out that the mirror was the problem? Whence came her sudden decision to confiscate it?
One thing that is becoming clear to me is that the relationships aren't as cookie-cutter as I thought, my first time through. The relationships between Gawain and Rhian, Geraint and Elen, Gareth and Lynet... they're much more distinct than I thought at first, and the brothers are less alike than they thought at first. I'm not sure why I thought them so cookie-cutter the first time through, actually. Possibly because all the romance is that bit hastier than I'd like. Possibly I'm a slightly more discerning reader. Possibly my taste has just changed!
I really wish this book had received a little more attention from a proofreader. The little nags I have about grammar and punctuation are really little. For the most part I like the writing. But it's so distracting to keep thinking, "But where is the comma?"
The first time I read this series, I wasn't all that impressed. There are still things I'm not so keen on -- the love at first sight, for one thing, doesn't ring very true, and also the books could do with better proofreading. There's punctuation missing, and I'm pretty sure "grieves" and "greaves" don't mean the same thing. But, this time, I found myself a lot more interested. I preferred Geraint to Gawain, I think, and I was interested in him and his feelings about his relationship to Morgaine, and his way of dealing with his legacy from his father -- and his love for Elen.
I don't know if the story of Elen and Geraint is based on any legend, Arthurian or otherwise, although I suspect that the story of Gwiffert, at least, has some kind of link to existing mythology. Still, it's nice to see a lot of mythology together and coupled to the Arthurian mythology, to make something new. The ongoing story of Morgaine is interesting, too: I can't actually remember very well how that's resolved, and I forgot that she seemed genuinely in love with Urien.
I originally didn't like Elen much, but there is something compelling about her, too, and her struggle, and Collanau. I wished the book had more about the Lord, the Lady, and Elen's family. As far as I remember, the Lord and the Lady don't come into it again, which is a shame.
Camelot's Sword
I'm liking all of these books in my second reading. It's interesting to see all the different threads of Arthurian myth and Celtic myth brought together in this way -- this book especially weaves so many things together: Tristan and Iseult, Lyonesse (Laurel) and Lynet, Lancelot and Guinevere, Morgaine, the Celtic Otherworld... I think I'm focusing a lot more on that, in this reading, instead of on the romance -- which isn't actually as central as I thought. It could do with more time spent on it, actually, because Gareth's transformation from a womaniser into Lynet's faithful knight is very hasty and not really given the time and space it should be. Perhaps the scene on the moor could've been expanded -- another fifty pages would probably have made the love story much more engaging and satisfying. There were some parts of the relationship with Ryol that were glossed over a bit too much -- that was closer to the centre of the story, I think, and didn't suffer too much, but there were a few places where I wondered why the heck it was happening like that. For example, how did Guinevere figure out that the mirror was the problem? Whence came her sudden decision to confiscate it?
One thing that is becoming clear to me is that the relationships aren't as cookie-cutter as I thought, my first time through. The relationships between Gawain and Rhian, Geraint and Elen, Gareth and Lynet... they're much more distinct than I thought at first, and the brothers are less alike than they thought at first. I'm not sure why I thought them so cookie-cutter the first time through, actually. Possibly because all the romance is that bit hastier than I'd like. Possibly I'm a slightly more discerning reader. Possibly my taste has just changed!
I really wish this book had received a little more attention from a proofreader. The little nags I have about grammar and punctuation are really little. For the most part I like the writing. But it's so distracting to keep thinking, "But where is the comma?"
